Monday, June 30, 2014

Where Are We Going?

"Where are we going? What are we doing? Throwing it away like that. What are you doing? Throwing it away. All that potential. Trickling away like that."
-Howard Jones, One To One, Where Are We Going?-



Yes, where are we going Mr. Jones? I often ask myself these things as active consideration concerning existence. Here I am. The creator behind the newly founded and forged Dog In Space blog. What exactly are my plans here?

After all, this is a brand spanking new idea. Of course no one knows about it. I mean nobody. Currently, there are no readers. In fact, I think at this early stage in the game I am essentially talking to myself. That's okay.

Music is such a personal thing really. It often has me contemplating the ways of the world and existence. The relationship with a song is quite profound really. Sometimes that intimate partnership is all you need to be left with your own thoughts for good company.

But yes, where are we going with this thing called Dog In Space? I'm not sure really. But I suspect it will remain true to music and ruminations connected therein.



It seems only natural really. In truth, it's not that surprising actually. I had given more than ample evidence of my affection and passion for music at my other blog creation, Musings Of A Sci-Fi Fanatic. While mostly exclusive to science fiction examinations I did digress from time to time into my love for music. See here. In fact, I think the music posts were fairly well-received.

But I am here because I love music. So for whatever reason the music kept beckoning to me. I recently reorganized my entire CD collection. Wow. What a stroll down memory lane. I urge you to do the same if you have not done so. Pull out those old records and CDs and have a ball.

For a period I wrote music reviews for my college newspaper as a young man. This led to an opportunity to write for a small (in circulation) but mighty magazine called The Lexicon (clearly a nod to ABC's The Lexicon Of Love from 1982). I had penned several interviews through the years with Duran Duran, Pete Byrne of Naked Eyes, Tony Hadley of Spandau Ballet, Richard Darbyshire of Living In A Box and Kurt Maloo, formerly the captain of Double. I did this as a writer with The Lexicon. I guess recently I realized how much I missed all of that. I'm not certain I will land interviews in the future, but I sure would like to try again and hope to do so. So interviews would be nice. But I suspect Dog In Space will be more of a safe haven for me to philosophize on the songs of various artists I've come to love and appreciate over the years.



Funny enough, the very seed that set this blog in motion occurred to me on a drive to work. Listening to my ipod that was now connected to a new car purchase brought back a flood of emotions, a tide of good feelings and good memories and I found I wanted to expound further on that. So one fateful drive to work essentially assured my desire to make that happen. So where was I going? I was going to work. Dog In Space came to me then.  What comes next is anyone's guess, but untethered I am indeed drifting in that space called music and for now I am happy to be there. Honestly, there is nothing better than a good song on your drive to work. It actually makes anything possible.

Where Are We Going? is extracted from the Howard Jones release One To One (1986). His flawless debut Human's Lib (1984) and sophomore release Dream Into Action (1985) are essentially perfect (see here). The fertile launch to his career and creative slide begins a touch with the middling effort One To One, but the Arif Mardin-produced collection is still graced with a number of strong selections and solid highlights including You Know I Love You...Don't You?, All I Want, Where Are We Going?, Will You Still Be There? and a new version of No One Is To Blame originally from Action Replay (1986) and the original version from Dream Into Action. Still, One To One, while maybe not as essential as the aforementioned two discs, is perhaps one of my five favorite productions from Howard Jones' rich and colorful catalogue and is a pleasure on the whole.

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